And I remember feeling like these are incredible mood mixtapes that tie into the film, but are also these separate entities with an arc and appeal in and of themselves.” “When I was younger, the first soundtrack I owned was Grease and then High Fidelity. “I always really was a fangirl of soundtracks and scores,” Cave says. “Debating music with her was one of the most fun parts of this entire process,” Hilfer recalls. This perfect musical union can be chalked up to their collaboration style, with Cave coming in ready with opinions and a stack of playlists. Cave considers her own music video experience an unconscious “part of the fabric of what I do,” while Hilfer says he’s “met his match” in the director when it comes to musical vision. Instead, the music supervisor leans into the aesthetic of his directors he’s a “musical agnostic” who likens himself to a DJ giving “the audience what they’re looking for.” For this set, he’s working with Mimi Cave on her feature debut, which comes after directing short films and music videos for 12 years. It’s also possible because Hilfer doesn’t lead with his own music style, which he says was influenced chiefly by underground hip-hop and Fiona Apple, which he heard growing up in early ’90s New York City. That kind of diversity is an advantage on a movie classified as a romance, comedy, thriller and social horror. Sarah Paulson to Star in, Executive Produce 'Dust' for Searchlight
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